Street photography: Tips & Tricks

I reckon Street photography is the most relatable genre of photography nowadays, after selfies of course… Yet, even though people opt to photograph this one intuitively, having in mind some basic tips and tricks, can really help you level up your pictures. For those that are new to this, street photography is the genre of photography mainly shot in the streets of unstaged situations and subjects.

I’ll start off by mentioning some great photographers for inspiration like Lee Friedlander, Josef Koudelka, Weegee, Rebecca Lepkoff, William Eggleston, Saul Leiter and Martin Parr. Their work has influenced contemporary photography and questioned what it is that we perceive as reality and everyday life.

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First and foremost though, you guys should know the country’s policies on shooting in public spaces, you don’t want to get in trouble because you thought the lighting was good on that wall. Nevertheless, photographing in public spaces is usually permitted. You can also ask for permission, whether that is a private property or photographing people. From my experience, I would suggest you photograph with respect, ask for permission and don’t freak people out, it’s that simple!

Ok so having said that we can move on to the more technical aspect of it. Besides always carrying your camera with you, you should be aware of focusing. Street photography has movement, whether that’s people or vehicles, there’s usually something moving. Don’t forget to focus sharply so you get a nice shot. If you are photographing something recurring, I would suggest you wait and take a breath whilst tracking your focus and shoot it afterwards. It can still be candid, yet in focus. Don’t start snapping blurry photographs, even though there’s a new wave of street photography that’s like that, it’s usually done intentionally.

Having in mind some basic rules of composition can really help you get that memorable timeless image. For instance, pick an alternative perspective than what you see straight from your eye level and don’t be afraid to get close to what caught your attention. Having a 50mm lens or 35mm is a great way to have both wide angle and close up shots.

What I like to do when I’m taking a stroll on street photography too, is looking for juxtaposition. Finding contrast between the light or a subject is not that difficult to do once you are outside. Whether that’s a person with designer clothes in a poor neighborhood or the shadow underneath a balcony. In general, visual antithesis is a great way to make statements through your photographs. For instance, in this photograph I shot, I wanted to portray how the streets still carry a sense of life in the late hours when no one is walking by.

Also, don’t forget to enjoy it.